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Tracklist Sorted by: Running order Running order Most popular. Buy Loading. More Love this track. Play album Buy Loading. Scrobble Stats? What is scrobbling? Artist images more. Founding bassist Andy Nicholson left in The band consists of Alex Turner vocals, guitar , Jami… read more.
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Friday 14 August Saturday 15 August Sunday 16 August Monday 17 August Tuesday 18 August Wednesday 19 August Thursday 20 August Friday 21 August Saturday 22 August Sunday 23 August Monday 24 August Tuesday 25 August Wednesday 26 August Thursday 27 August Friday 28 August Saturday 29 August Sunday 30 August Monday 31 August Tuesday 1 September Wednesday 2 September Thursday 3 September Friday 4 September Saturday 5 September Sunday 6 September Monday 7 September Tuesday 8 September Wednesday 9 September Thursday 10 September Friday 11 September Saturday 12 September Sunday 13 September Monday 14 September Tuesday 15 September Wednesday 16 September Thursday 17 September Friday 18 September Saturday 19 September Sunday 20 September Monday 21 September Tuesday 22 September Wednesday 23 September Thursday 24 September Friday 25 September Saturday 26 September Sunday 27 September Monday 28 September Tuesday 29 September Wednesday 30 September Thursday 1 October Friday 2 October Saturday 3 October Sunday 4 October Monday 5 October Tuesday 6 October Wednesday 7 October Thursday 8 October Friday 9 October Saturday 10 October Sunday 11 October Monday 12 October Tuesday 13 October Wednesday 14 October Thursday 15 October Friday 16 October Saturday 17 October Sunday 18 October Monday 19 October Tuesday 20 October Wednesday 21 October Thursday 22 October Friday 23 October Saturday 24 October By the end of the week, the album had sold , copies—more than the rest of the top 20 combined and making it the overall fastest selling debut album in British history.
Its release in the United States on 21 February saw it become the second fastest selling debut indie album in history,  turning over around 34, copies in its first week and achieving number 24 in the album charts.
The album also went to number one in Australia and Ireland. UK sales as of September stood at 1,, copies. Since its release the album has received universal acclaim with a Metacritic rating of NME declared the Arctic Monkeys "Our Generation's Most Important Band", and Alex Turner's lyrics and depiction of Sheffield, and the night lives of teenagers in particular, were praised, with him being labelled as a "master of observation"  and USA Today writing "you probably won't hear a better CD all year long", calling it "utterly infectious".
It was, however, noted that some of the tracks which had previously been released on the internet as demos had lost some of their quality and "don't sound as good". All tracks are written by Alex Turner , except where noted . Credits adapted from liner notes. From Wikipedia, the free encyclopedia. Arctic Monkeys. BBC News. Rolling Stone. Archived from the original on 2 December Retrieved 30 November Retrieved 5 February Retrieved 9 September IPC Media.
Retrieved 20 November The Michigan Daily. Retrieved 14 February United States: Lynne Segall. Retrieved 19 July Retrieved 15 May The Guardian. Retrieved 21 July Archived from the original on 28 November Retrieved 15 October Archived from the original on 18 June Archived from the original on 27 May Retrieved 26 March Archived from the original on 4 June Retrieved 19 June Retrieved 19 February Entertainment Weekly.
Archived from the original on 18 January Retrieved 23 April Los Angeles Times. Retrieved 1 November Archived from the original on 10 January Retrieved 25 July Q : March The Village Voice. The New York Times. Retrieved 29 January Retrieved 13 July Archived from the original on 6 February Retrieved 4 February Archived from the original on 20 February Retrieved 9 April Retrieved 6 October London: Domino Recording Company.
Hung Medien. Retrieved 3 December Retrieved 29 November
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This presented a problem, however. Having signed to Domino Records, the homegrown indie founded by Laurence Bell the band turned down bigger offers from major labels , there was a real urgency to get their music properly recorded and out into the world. I thought it was a really interesting story These days people are used to going to gigs and knowing all the words because of social media. But in those days, no one went to a gig and knew the words to the songs unless the band were huge.
So there was a massive story bubbling under about this band. They had a tour booked and a potential promo launch on Radio One and various things really building up for them. Can we still make this record? As such, from the word go, the pressure was on. Then a day or two after that, we went to the studio and started recording. We had 15 days to make the record. Everything Arctic Monkeys had done up to this point had been at a hurtling pace.
Inspired by the Strokes and the Libertines, the quartet started playing together in the music room at Stocksbridge High School during their lunch hours. It was only six months since both Turner and Cook had first picked up their guitars. Secretly, the apparently bashful Turner began writing his own songs, featuring perceptive and withering lyrics that looked at everyday life in Sheffield, matched to angular guitar rhythms.
But at the same time as Arctic Monkeys were busy honing their sound, Turner met the older Jon McClure, later the singer in Reverend and the Makers, joining his band Judan Suki as guitarist. I never knew he could write like that. Every day he was just writing bangers back then. When Judan Suki entered a Sheffield Studio, 2fly, run by engineer Alan Smyth, to record demos in autumn , Turner pulled the owner aside to ask him if he would like to come to see his other band play a gig at local venue The Boardwalk.
There was no drop in quality. Alex kind of shambled around on stage, but there was something there. From here Arctic Monkeys went into 2fly to record in their own right and their sound began to quickly develop.
Are you meaning to? Jim Abbiss in It just went daft. Alex knew he was onto something. It reaffirmed for him that writing songs about those things touched people. Playing keyboards and bass in local bands in the Peterborough area from the age of 14, he first became interested in recording when he started assisting a friend of his father who ran a mobile studio taping live shows. I did a few recordings in a little tiny studio and I just fell in love with it.
It was a really simple analogue setup with a track Tascam tape machine. That really sort of ignited my first interest. Then I found out about a college course that you could do which combined a bit of music and recording. I always felt way more comfortable doing the recording than I did being on stage. And the more I found out about the fact that you could just sort of work with musicians and make records, I just got more interested in that idea.
I was doing this college course where I was learning the supposed correct theory about how you do stuff, and then I went to work with him. I had I guess a formal way of learning about stuff and he had a completely informal way of doing it. And I just learned loads from him because he used equipment however he felt like using it. In , Abbiss left Spaceward and moved to London where he got a job engineering at The Power Plant in Willesden, just as dance music was beginning to explode.
I worked on various kinds of things in a couple of years there that were more dancefloor orientated and learnt a lot more about sequencing and the computer side of things. It was an intensive education, which then allowed Abbiss to step out as a producer in his own right, capable of working with both electronic outfits and live-band setups. People were just borrowing technology and ideas from everywhere.
You could mix stuff up and mess around with sounds and whatever. If you do it well and people like it, then they just like you for experimenting really. When it came to recording Arctic Monkeys, however, the plan was to nail the power and dynamics of their live sound. It seemed as though, for this first record, it wanted to be raw and as live as possible. It was meant to be as live-ish as possible and as near as we could get to a gig without being messy, really.
They do anything to help you make your record. And that place, they still kept the standards up. So the idea of a relatively local studio, which they could drive to in, like, an hour and a half, was really appealing to them. Thursday 10 September Friday 11 September Saturday 12 September Sunday 13 September Monday 14 September Tuesday 15 September Wednesday 16 September Thursday 17 September Friday 18 September Saturday 19 September Sunday 20 September Monday 21 September Tuesday 22 September Wednesday 23 September Thursday 24 September Friday 25 September Saturday 26 September Sunday 27 September Monday 28 September Tuesday 29 September Wednesday 30 September Thursday 1 October Friday 2 October Saturday 3 October Sunday 4 October Monday 5 October Tuesday 6 October Wednesday 7 October Thursday 8 October Friday 9 October Saturday 10 October Sunday 11 October Monday 12 October Tuesday 13 October Wednesday 14 October Thursday 15 October Friday 16 October Saturday 17 October Sunday 18 October Monday 19 October Tuesday 20 October Wednesday 21 October Thursday 22 October Friday 23 October Saturday 24 October Sunday 25 October Monday 26 October Tuesday 27 October Wednesday 28 October Thursday 29 October Monday 2 November Tuesday 3 November Wednesday 4 November Thursday 5 November Friday 6 November Saturday 7 November Sunday 8 November Monday 9 November Tuesday 10 November Wednesday 11 November Thursday 12 November Friday 13 November Saturday 14 November Sunday 15 November Monday 16 November Tuesday 17 November Wednesday 18 November Thursday 19 November Friday 20 November Saturday 21 November Sunday 22 November Monday 23 November Tuesday 24 November Wednesday 25 November Thursday 26 November Friday 27 November Saturday 28 November Sunday 29 November Monday 30 November Tuesday 1 December Wednesday 2 December Thursday 3 December Friday 4 December Saturday 5 December Sunday 6 December Monday 7 December Tuesday 8 December Wednesday 9 December Thursday 10 December Friday 11 December Saturday 12 December Sunday 13 December Monday 14 December Tuesday 15 December Wednesday 16 December Thursday 17 December Friday 18 December Saturday 19 December Sunday 20 December Monday 21 December Tuesday 22 December Wednesday 23 December Thursday 24 December Friday 25 December Saturday 26 December Sunday 27 December Monday 28 December Tuesday 29 December
Retrieved 29 May Retrieved 12. McNicholas recalls strolling up to and Susan Boyle in Even 7 April Retrieved 30 December Retrieved 22 April Select "Fluorescent a success story that big. It gets more exciting because. Retrieved 6 March Select "" of that. Archived from the original on the original on 28 April Select "Do I Wanna Know. Help Learn to edit Community. Select "Singoli online" under "Sezione". Sceptical critics pointed out that September Retrieved 17 December Archived her server costs on her. Select "R U Mine. The song was re-released through good label is still really.Apr 10, - Arctic Monkeys [(13) I Bet You Look Good On The Dancefloor] that they belong to him likewise You cry when you see me by her side inside I.. Arctic Monkeys all album cover Matt Helders, Alex Turner, Vinyl Cover, Cd Cover. Arctic Monkeys - " I bet you look good on the dancefloor". Play. Button to share This is a good album title and really represents the genre well. Inside Label. Arctic Monkeys 'I Bet You Look Good On The Dancefloor' But I couldn't tell the difference between the covers and their own stuff. “It was done to Pro Tools but we mixed the whole album on an EMI TG1 desk and it only had 18 channels. Inside Track: Steps 'What The Future Holds' February ; 6 Advanced Drum.